Much has been said in recent years about the increasingly irresponsible news media. For those of us who remember Walter Cronkite, we are amazed by the sleazy depths to which our news media can go nowadays. Their present fascination with Anna Nichole Smith's death perfectly illustrates those depths.
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It is commonly speculated that the drive for increasing profits by the corporate owners of the news outlets, along with fierce and unanticipated competition from the cable channels and Internet blogs have motivated a new focus upon the lurid. I might add the media consultants who insist that appealing to the lowest common denominator, not hard news, brings and keeps viewers or readers. In spite of ourselves, we are especially fascinated by the downfalls and humiliations of our anointed celebrities.
But my concern is not over this sleaziness. After all, we can still find, if we search, a few outlets that do focus upon the important world and local news. A deeper and more insidious issue is the honesty of our journalists. I believe that most people go into journalism because they have an ideal of finding and sharing the truth about the people and issues that form our society. But, like most politicians, they gradually become distracted and compromised by the pressures to be profitable, khan sir wife to attract and hold viewers/readers, to lead with stories, to reinforce a political or social perspective, and to add a spin more interesting and attractive than the competitors on the other channels.
And sometimes those pressures force a bending or complete loss of the truth. While I understand that most news outlets have an expressed, or more often unexpressed, political leaning, there remains the moral responsibility to be truthful. But what is truth in the context of reporting on events and people? Is it still being honest if we emphasize those aspects of the story that reinforce our viewpoint while de-emphasizing or ignoring those that don't? Are we serving our viewers and readers if we consistently vilify those in the opposing party while blindly praising and ignoring the faults of those in ours? Or is that just being disingenuous? Should the news media be held accountable, as are the rest of us, when they libel or slander?
Sure, occasionally a supermarket tabloid will lose a slander lawsuit, but seldom do the major newspapers or news channels face such sanctions. When the news media are criticized for their dishonesty, hypocrisy or bias, they cry freedom of speech and partisanship and few want to take them on. They have become relatively above reproach, compared to any other group.
And yet no other segment of our society can so dramatically influence public opinion and political dealings. The news media no longer just report on events, they form and even create the events. They can make or break political candidates, drive legislation, manipulate the economy into and out of recessions, and even alter foreign policy. They have become a crucial element of our society largely above reproach.
While there is a very real danger in interfering with the news media's ability to report and go wherever they need to go, they should be more aggressively held accountable when they are deliberately untruthful or manipulative. While our political leaders won't likely have the courage or will to take on the press, perhaps the relatively loose and free Internet will do more to expose dishonesty wherever and whenever it occurs.
In the year 2018 SANJU, FOSER VILLY, PADMAWAT, GOLD, RAAZI movie trailers are being highly acclaimed. And as per the public review the top categories have been issued.
Bit About Foser Villy: Young man (Rohit) who comes to Mumbai for the want of girl after a dramatic tragedy and then infatuated with some girls. He had some psychological problems in his behavior, which is the only mystery.
Ashutosh Ramashankar was born in 1st October 1978, in Gwalior MP India.
Mainly spends time in acting with new concepts and writing fictions.
He has penned three successful readers acclaimed novels
"An Old Man On Highway"
"Voting at 16"
"First Day of My College In Final Year Exams"
"Foser Villy" is his first bollywood movie, where he has played a lead actor Role of a character Rohit. This film is directed by Vikram Singh Parihar under the banner of Markerr Films in 2018.
Markerr films production is a movie production house owned by Vikram Singh Parihar. Apart from running this production, he devotes his time in his deep n vein hobby of direction and therefore recently he has directed a bollywood movie "Foser Villy". In 2018, he completed this movie and promoted some new talents with a major task of training and performing acting segment of a character.
Foser Villy is his first feature length movie, whose official trailer is catching boom Virul in social media.
Vikram was born on 10th May 1986 in Chandrapur Maharashtra India. He is engineering graduate and worked for a south movie "The Impossible Murder" of Indeifarm Production.
As a director he has also made a short film "Green Speech" which was highly acclaimed by viewers.
Bit About padmavat
These little bits have been accused of homophobia or something. But I have to say, they don't bother me that much. As I see it, Jim fits within a certain character type. Not the "gay lover", that is putting modern western visions on a film that was created to echo ancient Operatic and poetic traditions. Jim is the "wise fool". The king's jester who is most trusted because he is least noticed, from the Shakespearean tradition. Falstaff, Feste, Puck, and of course "The Fool" from King Lear. They are extreme outsiders in society, the king's tolerance of them shows his greatness of spirit, ability to see past externals. And it creates extreme loyalty in the "fool", to be appreciated by one man in all the world. The king gets a benefit from these "fools", their outsider status allows them to say and do the things that even the king cannot do. And most of all, they are wise. As outsiders, they see things that insiders do not, they can bend and break rules that others find firm.
Bit About Sanju
Sanju (Hindi pronunciation: [s?nd?u?]) is a 2018 Indian biographical film directed by Rajkumar Hirani and written by Hirani and Abhijat Joshi. It was jointly produced by Hirani and Vidhu Vinod Chopra under the banners Rajkumar Hirani Films and Vinod Chopra Films respectively. The film follows the life of Bollywood actor Sanjay Dutt, his addiction with drugs, arrest for association with the 1993 Bombay bombings, relationship with his father, comeback in the industry, and his eventual release after completing his jail term. Ranbir Kapoor stars as Dutt, along with an ensemble cast which features Paresh Rawal as Sunil Dutt, Vicky Kaushal, Manisha Koirala as Nargis, Dia Mirza as Manyata Dutt, Sonam Kapoor, Anushka Sharma and Jim Sarbh